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Leonce Raphael Agbodjelou (b.1965) is one of the pre-eminent  photographers from the Republic of Benin,  based in the capital Porto  Novo close to the Nigerian border. Trained by his father, the  world-renowned photographer Joseph Moise Agbodjelou (1912-2000), Leonce  Raphael has since developed his own individual style in contemporary and  innovative ways. Shooting with medium format in an outdoor studio, his  recent project has focused on the Egungun masqueraders.
Egungun are both named and unnamed ancestral forbears of  Yoruba-speaking lineages, found in the republic of Benin and in the  Yoruba kingdoms of south-Western Nigeria. Beginning in the 11th to 14th  centuries a.d., the masqueraders appear at funeral to mark and guide the  passage of the deceased to the spirit world. Annual festivals are held  in Yoruba-speaking communities at the beginning of the rainy season to  cleanse the town, but Egungun can also appear at any time to  avert major misfortune or affliction that threatens the local community.  They occupy a range of roles that vary from recent deceased and  historical forbears, to acting as community executioners of criminals  and witches. Less important and junior performers, such as onidan  (miracle workers) oloki (acrobats) and alaba (wearers of cloth) cam also  entertain the onlookers with magical feats and the sumptuousness of  visual display.~~Dr Charles Gore, Senior Lecturer in the History of African Art, School of African and Oriental Studies, University of London

Leonce Raphael Agbodjelou (b.1965) is one of the pre-eminent photographers from the Republic of Benin,  based in the capital Porto Novo close to the Nigerian border. Trained by his father, the world-renowned photographer Joseph Moise Agbodjelou (1912-2000), Leonce Raphael has since developed his own individual style in contemporary and innovative ways. Shooting with medium format in an outdoor studio, his recent project has focused on the Egungun masqueraders.


Egungun are both named and unnamed ancestral forbears of Yoruba-speaking lineages, found in the republic of Benin and in the Yoruba kingdoms of south-Western Nigeria. Beginning in the 11th to 14th centuries a.d., the masqueraders appear at funeral to mark and guide the passage of the deceased to the spirit world. Annual festivals are held in Yoruba-speaking communities at the beginning of the rainy season to cleanse the town, but Egungun can also appear at any time to avert major misfortune or affliction that threatens the local community. They occupy a range of roles that vary from recent deceased and historical forbears, to acting as community executioners of criminals and witches. Less important and junior performers, such as onidan (miracle workers) oloki (acrobats) and alaba (wearers of cloth) cam also entertain the onlookers with magical feats and the sumptuousness of visual display.
~~Dr Charles Gore, Senior Lecturer in the History of African Art, School of African and Oriental Studies, University of London

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